Joshua Yeldham | River Song
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River Song

http://svahn.it/?format=xml There is a graphic intensity to Josh Yeldham’s latest works that is rarely if ever seen in contemporary art. This is the work of both an obsessive artisan and a potent visionary. This is the stuff of dreams made solid, carved impeccably, stroke by miniscule stroke, tethering the smoky regions of memory and mind onto a solid surface.

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go For quite a time mysticism was a dirty word in contemporary (postmodern) culture. It was the stuff of perhaps misguided 60s pseudo revolution. But, world-wide, we see a re-emergence of considerations of spirituality. We see it here in Australia in the contemporary artworks of such artists as Tim Johnson and Peter Daverington. And, with the threat of environmental meltdown, we see a reconsideration of nature as a potent force.

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opcje binarne jak czytać wykresy Yeldham’s works have long been an exploration of his immediate environment. He has an eagle-eye for detail. Each blade of swamp grass is recorded in memory and transported back to the studio where his sharp blade begins the task of transcribing the days visions. But that is only the beginning. With what seems a strange sense of urgency, Yeldham then begins the task of building up a palimpsest of imagery, driven by the exotic musical notes that conclude his paintings.

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http://www.amazoncharitabletrust.org/?kister=opzioni-binarie-strategie-la-gabbia&261=68 Of course they are not paintings per se. But nor are they sculptures as we have come to know that term. Technically these works are truly unique, beautiful hybrids of craft and vision. Technically they are works by a youthful master.

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click to read more River Song (2010) catalogue essay by Ashley Crawford