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Joshua Yeldham’s new collection ‘Endurance’ nurtures a space where boundaries collapse and binaries converge. Through his highly symbolic visual vernacular, the artist takes us on an inward odyssey inspired by recent travels throughout Japan, Arizona and India, as well as his ongoing affiliation with Australia’s Ku-ring-gai and Hawkesbury regions. Working across painting, kinetic and musical sculpture, carved works on paper and photography, Yeldham explores the shared threads that weave cultural ideologies, philosophies and religions across East and West.
For Yeldham, ‘Endurance’ is about ‘going beyond’; about breaching the borders of personal limitation. ‘The parameters placed on our lives are porous’, he says. Embellished with signature tapestries of cartographic carvings, organic pigments and hand-made instruments, the works assimilates Indian Vedic philosophies about the cyclicality of existence with the philosophical and pedagogical tenets of the Japanese archery, or Kyudo. He also reflects on Arizonian Hopi cosmology and the ritualistic tradition of the kachina. Through this, the works in ‘Endurance’ represent a coalescence of local and global; personal and collective; history and contemporaneity. Voyaging through Yeldham’s existential vignettes, we become passengers privy to the artist’s inner world.
Joshua Yeldham’s new collection ‘Endurance’ nurtures a space where boundaries collapse and binaries converge. Through his highly symbolic visual vernacular, the artist takes us on an inward odyssey inspired by recent travels throughout Japan, Arizona and India, as well as his ongoing affiliation with Australia’s Ku-ring-gai and Hawkesbury regions. Working across painting, kinetic and musical sculpture, carved works on paper and photography, Yeldham explores the shared threads that weave cultural ideologies, philosophies and religions across East and West.
For Yeldham, ‘Endurance’ is about ‘going beyond’; about breaching the borders of personal limitation. ‘The parameters placed on our lives are porous’, he says. Embellished with signature tapestries of cartographic carvings, organic pigments and hand-made instruments, the works assimilates Indian Vedic philosophies about the cyclicality of existence with the philosophical and pedagogical tenets of the Japanese archery, or Kyudo. He also reflects on Arizonian Hopi cosmology and the ritualistic tradition of the kachina. Through this, the works in ‘Endurance’ represent a coalescence of local and global; personal and collective; history and contemporaneity. Voyaging through Yeldham’s existential vignettes, we become passengers privy to the artist’s inner world.
Brothers
Acrylic and cane on hand carved board
160 x 210 cm
The archer’s bow
Acrylic and cane on hand carved board
160 x 210 cm
Hawkesbury water hole
Acrylic on hand carved linen paper
201 x 201 cm
Endurance – Smith’s Creek
Hand carved pigment print (ed. 9/28)
140 x 120 cm
Endurance
Oil and cane on hand carved board
204 x 152 cm
Blue Owl – Morning Bay
Hand carved pigment print (ed. 24/45)
147 x 145 cm (framed)
Mangrove tree – Summer
Hand carved pigment print on cotton paper (ed. 5/9)
120 x 180 cm
Studio still life – after Kyoto
Acrylic, collage, resin sculpture, mbira assemblage on hand carved board
213 x 244 cm
Kyoto garden – Yeoman's Bay
Acrylic on hand carved linen paper
201 x 201 cm
Spirit owl
Hand carved archival print (ed. 30)
115 x 113 cm (framed)
Silver owl IV
Hand carved aluminium with cane
60 x 30 cm
Young girl who could make rain
Acrylic and kinetic sculpture on hand carved board
244 x 213 cm
Fig of endurance
Hand carved pigment print on cotton paper, ed. 1/9
150 x 204 cm
Black pandanas hawk
Acrylic, cane and resin on hand carved cedar
120 x 56 cm
Blue fig – Nashua
Acrylic on hand carved linen paper
201 x 201 cm
Cedar rain maker – Arizona
Acrylic, cedar and kinetic sculpture
214 x 140 cm
Spirit wood
Acrylic and cane on hand carved pigment print on dibond ed. 3/9
144 x 294 cm
Black moon owl
Acrylic and instrument on hand carved board
204 x 152 cm
Fan girl
Acrylic, cane, antique fans and instrument on hand carved board
182 x 122 cm
Fig tree of knowledge
Acrylic on hand carved linen paper
201 x 201 cm
Kyoto love owl
Archival pigment print on cotton paper (ed. 3/35)
100 x 77 cm
Rishi of Yeoman’s Bay
Acrylic and instrument on hand carved board
182 x 122 cm
Code breaker owl – Morning Bay
Acrylic, cane, resin on hand carved board
124 x 93 cm
Morning Bay
Acrylic on hand carved linen paper
201 x 201 cm
Need of the time
Hand carved pigment print with copper wire and cane on dibond ed. 5/9
144 x 281 cm
Owl of eight moons
Acrylic on hand carved linen paper
201 x 201 cm
Blue waterhole – Nashua
Acrylic, charcoal and ink on hand carved linen paper
201 x 201 cm
Owl of tranquillity
Hand carved pigment print on cotton paper (ed. 5/9)
150 x 160 cm
Owl of Yeoman’s Bay – blue moon
Acrylic and instrument on hand carved board
213 x 244 cm
Snake boy
Acrylic and cane on hand carved board
204 x 152 cm
Solitude’s Tree – Morning Bay
Acrylic on hand carved linen paper
201 x 201 cm
Spotted gum – Yeoman’s Bay
Acrylic on hand carved linen paper
201 x 201 cm
Black mangrove – Camp Sea Hawk
Acrylic on hand carved linen paper
201 x 201 cm
Two headed snake
Hand carved cedar, cane, steel base
282 x 86 x 50 cm
Surrender tree – black moon
Hand carved pigment print on cotton paper, ed. 9
100 x 100 cm
Two hands – Killen Falls
Hand carved pigment print on cotton paper
150 x 204 cm
Young girl of Yeoman's Bay
Acrylic, cedar and kinetic sculpture
214 x 122 cm