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There is a graphic intensity to Josh Yeldham’s latest works that is rarely – if ever – seen in contemporary art. This is the work of both an obsessive artisan and a potent visionary. This is the stuff of dreams made solid, carved impeccably, stroke by miniscule stroke, tethering the smoky regions of memory and mind onto a solid surface.
Each of us will see our own dreams here. We will try and grapple with why these images seem so immediately recognisable and then realise we have never seen them before outside of somnambulistic flights of fantasy. We will think of the iconography of Eastern mysticism only to realise that this is a ruse – it may be an influence but these images are very much Yeldham’s own.
Of course they are not paintings per se. But nor are they sculptures as we have come to know that term. Technically these works are truly unique, beautiful hybrids of craft and vision.
Technically they are works by a youthful master.
There is a graphic intensity to Josh Yeldham’s latest works that is rarely – if ever – seen in contemporary art. This is the work of both an obsessive artisan and a potent visionary. This is the stuff of dreams made solid, carved impeccably, stroke by miniscule stroke, tethering the smoky regions of memory and mind onto a solid surface.
Each of us will see our own dreams here. We will try and grapple with why these images seem so immediately recognisable and then realise we have never seen them before outside of somnambulistic flights of fantasy. We will think of the iconography of Eastern mysticism only to realise that this is a ruse – it may be an influence but these images are very much Yeldham’s own.
Of course they are not paintings per se. But nor are they sculptures as we have come to know that term. Technically these works are truly unique, beautiful hybrids of craft and vision.
Technically they are works by a youthful master.
Prayer for protection - Hawkesbury River
Carved board with oil, shellac, resin and cane
152 x 120 cm
Barrenjoey - Pittwater
Carved paper with shellac
200 x 200 cm
Child of the moon - Pittwater
Carved board with oil, cane and musical instrument
182 x 244 cm
Morning bay - lover's rock
Carved board with oil and cane
152 x 240 cm
Love birds - Hawkesbury River
Carved board with oil, fibreglass and drum
152 x 240 cm
Owl of blue taro - Pittwater
Carved board with oil , cane and shells
182 x 122 cm
Morning bay - black moon
Carved paper with shellac
200 x 100 cm
Protection - mangrove country
Carved paper with pigment
98 x 148 cm
Bird Island
Carved board with oil and cane
240 x 152 cm
Love owl - morning bay
Carved paper with pigment and shellac (series 1/20)
145 x 96 cm
Blessed by the tide - Hawkesbury River
Carved board with oil, fibreglass and wood
120 x 92 cm